Film Genres after #MeToo: Promising Young Woman as a Rape-Revenge Film and a Rom-Com

From 2017 on, the #MeToo movement has resulted in a set of new perspectivesand narratives in cinema; narratives, which, so far, have only ever been presentedfrom and for the point of view of the male gaze. A special case in this process isEmerald Fennel's 2020 directorial debut, Promising Young Woman. This essay arguesthat the film not only capitalizes on rape-revenge genre clichés, but it also relies onthe tropes of romantic comedy traditions to give a sharp critique of the culturalclimate that tolerates, denies, and normalizes rape. The subversion of the male gaze,the centrality of morality in revenge, and the avoidance of the spectacle of femalesuffering align Promising Young Woman with the rape-revenge genre. At the same time,the film's take on the Hollywood myth of the likeable and harmless "good guy"highlights the role of classical romantic comedy conventions in perpetuating rapeculture.